BASICS FILM-MAKING: SCREENWRITING
Contextual Reasearch - Screenwriting
To attempt to
help me with the writing process, I borrowed the book Basics Film-making,
Screenwriting to look at. Luckily for me, it is extremely detailed, covering
everything from the concept to editing the final draft. When coming to work on
my own script, I found the sections on dialogue particularly useful, as it
comments on how to make conversation realistic and how to make words count –
with written examples, with scripts from films such as American Beauty (1999) and Groundhog Day (1993).
Looking at refining dialogue |
Throughout
the book, the authors focus on a script for A Nice Cup Of Tea. They take it
through the entire process (first draft, second draft and final refining), including
all three complete drafts at the end so it is easy to see how the screenplay
has progressed. This gave me a better idea of how to cut down my script for my
final draft, reminding me not to rely on wordy explanations - inspiring me to
include more methods of showing, not telling.
I also looked
at the final section of the book, in Script Editing. This was useful for reference
to future projects, as it explains that writing is all about stamina, picking
and picking and picking until it forms a decent shape. However, not all scripts
are the same, and some will take more time than others:
"Any script
benefits from a period of hibernation. At some stage, writing comes to a halt –
you get stuck, run out of steam, or feel that a script is finished. Stop for a
while; you can always come back to it with renewed vigour and insight later."
Basics Film-making: Screenwriting
Robert Edgar-Hunt, John Marland, James Richards
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